Process

The plot is shared between stills and motion from the first recce. Colour sits in pre-production, not after picture lock. Finishing is not a stranger at the end of the job, and the archive is named so another team can open it a year later.

White
1

White

We match the paper white you already use in print.

Bench
2

Bench

Macro first, while hands are steady and the part is clean.

Window
3

Window

Portraits in the same room, so the metal and the face agree.

Pass
4

Pass

A second pair of eyes on the file before it leaves the floor.

Pack
5

Pack

Print, web and a silent loop for the vitrine.